SYMVEIL HOUSING

LIVING ECOSYSTEMS AS REVOLUTIONARY HOUSING PARADIGM

CROSS-SCALE ARCHITECTURE

URBAN SYSTEMS & CIVIC INTELLIGENCE

URBAN SYSTEMS & CIVIC INTELLIGENCE

URBAN SYSTEMS & CIVIC INTELLIGENCE

Coastal Boutique Cover
Coastal Boutique Cover
Coastal Boutique Cover

Institution

Columbia Universtiy GSAPP

Location

New York, NY

Date

2024

Coastal Boutique 1
Coastal Boutique 1
Coastal Boutique 1
Housing as Verb, Architecture as Catalyst

This project responds to Eric Bunge's central provocation of "Housing Life": housing as a verb, an active armature that catalyzes life across multiple scales. Following Bunge's pedagogical approach that armatures could bypass the conventional apartment and family as housing's irreducible units, we explored how architecture might sponsor new forms of domesticity and collectivity. The project synthesizes Bunge's three scalar investigations: elemental systems as armatures, building-scale shared programs (specifically garden and theater), and neighborhood-scale social infrastructure.

Coastal Boutique 2
Coastal Boutique 2
Coastal Boutique 2
From Monotony to Multiplicity

My design inquiry began with a precedent study of Les Étoiles in Ivry-sur-Seine by Jean Renaudie and Renée Gailhoustet, who challenged the monotony of public housing by embedding individuality within a collective framework. The analytical drawing I developed for this study illustrated how each unit retained its own identity while contributing to a spatial whole, revealing what Reyner Banham termed "megastructural indeterminacy," where systematic variation creates both collective coherence and individual agency.


Coastal Boutique 3
Coastal Boutique 3
Coastal Boutique 3
Connectors as Event Spaces

Building on this foundation and Bunge's concept of "armature," we developed the connectors as spatial instruments, each with a distinct geometry and character that enables diverse patterns of life. These elements are not mere links between units, but what Bernard Tschumi would call "event spaces": performative devices that accommodate gardening, screenings, informal gatherings, and daily rituals. They foster cross-level interaction and embed sociability into the architecture itself.


Institution

Columbia Universtiy GSAPP

Location

New York, NY

Date

2024

The City Within the Building

Set in Harlem, the project draws inspiration from the neighborhood's artistic energy and civic spirit. Three large public portals puncture the building, pulling the city inward and connecting to an interior civic spine: a continuous urban street that links street-level programs such as shops, studios, and gardens with the housing above. This strategy embodies Bunge's principle of housing as neighborhood armature, extending the project's agency beyond property lines to engage the broader urban ecosystem.


Between Cultivation and Performance

Exploring garden and theater as organizational armatures, we developed open-air connectors on the third and sixth floors that manifest this duality. The garden-connectors deploy horticultural infrastructure as social catalyst: spaces of managed wildness that foster both human and non-human life. The theater-connectors transform circulation into spectacle, establishing what Richard Schechner theorizes as "environmental theater," spaces where the distinction between performer and audience dissolves. Each connector assumes a unique role, transforming movement into moments of engagement and participation.

Porosity as Social Infrastructure

Rather than isolating circulation, access is reimagined as a system of public nodes. These nodes connect directly to single-floor units, duplexes, and triplexes, allowing residents to enter their homes through communal thresholds instead of private corridors. This architectural strategy eliminates double-loaded corridors in favor of skip-stop configurations, creating a porous and breathable structure: a scaffold for spontaneous exchange and social resilience.


Project Catagory

Institution

Columbia Universtiy GSAPP

Date

Location

New York, NY

Time as the Fourth Dimension

Through Bunge's concept of "living drawings," our representational strategy deployed time-based media to capture the project's temporal dimensions. We developed animated sectional studies that visualize daily, seasonal, and generational cycles of inhabitation. These dynamic representations reveal how the armature accommodates everyday spatial practices: children's games cascading across connector platforms, elderly residents tending elevated gardens visible from multiple units, impromptu performances activating the civic spine. The vertical theater emerges not as a fixed program but as an accumulation of micro-events.

From Object to Ecosystem

SymVeil ultimately proposes a new paradigm where housing operates as what Keller Easterling calls "medium design," focusing on the active forms and protocols that shape interaction rather than static formal outcomes. Like the mycorrhizal networks that inspired its conception, the project fosters mutual visibility, shared resources, and interdependence across space and time. Housing is redefined not as a static product, but as a dynamic support system for human and communal growth. In this model, architecture evolves as both environment and interface: an armature for unknown outcomes and appropriations, capable of sustaining not only life, but living itself.

Project Catagory

Institution

Columbia Universtiy GSAPP

Date

Location

New York, NY

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