MOBILITY MUSEUM

CULTURAL INFRASTRUCTURE AS URBAN TRANSPORTATION REVOLUTION

CROSS-SCALE ARCHITECTURE

URBAN SYSTEMS & CIVIC INTELLIGENCE

URBAN SYSTEMS & CIVIC INTELLIGENCE

URBAN SYSTEMS & CIVIC INTELLIGENCE

Institution

The Ohio State University

Location

Los Angeles

Date

2019

Reimagining the Museum as Urban Infrastructure

This proposal was developed as part of the 2019 GUI Architectural Design Competition hosted by the Knowlton School, where teams were invited to reimagine the La Brea Tar Pits Museum in Los Angeles. The competition brief asked students to rethink the museum's role in the urban fabric by integrating public, private, and scientific functions into a single spatial ecosystem. Our design received an Honorable Mention for its strong conceptual clarity, material strategy, and spatial resolution. More than just a cultural venue, the museum was envisioned as a new infrastructural node: a dynamic interface between civic space, scientific discovery, and future-forward urban mobility.

Embedding Mobility into Architecture as Civic Strategy

Located along Wilshire Boulevard (one of LA's major arteries), the museum sits at the intersection of urban density, ecological history, and transit potential. Our scheme proposes transforming the museum into a multimodal transportation hub, where micro-mobility lanes, public paths, and gathering spaces converge. The architectural mass is carved open to reveal circulation corridors and layered entry points, transforming the original monolith into a porous civic connector. More than a museum, it becomes a transit-integrated institution: a new typology that unifies movement, knowledge, and community within a hybridized spatial envelope.

Designing with Flow: Horizontal Systems of Movement and View

The building is organized around a double-curve circulation system that guides both visitors and researchers through fluid, intersecting paths. Dedicated bike and scooter lanes activate the site from multiple directions, embedding mobility into the architecture itself. The plan erodes the boundary between exhibition and infrastructure: public paths intersect with viewing corridors and transparent labs, revealing the museum's internal processes. This layout ensures seamless horizontal connectivity while maximizing visual openness and civic inclusion.

Institution

The Ohio State University

Location

Los Angeles

Date

2019

Building Through Section: Vertical Integration of Research and Public Life

The section reinforces the museum's identity as a connective structure by integrating vertical mobility into its architectural language. Bold structural spans and circulation voids stitch the building together from roof to base, highlighting the iconic "drop" gesture that anchors the design. Researchers and visitors can access the space from multiple elevations, whether arriving by bike, foot, or transit. Vertical voids provide light, orientation, and spatial drama, creating moments of visual exchange between public exhibits and private research. The section is not just functional; it performs as a narrative, expressing the institution's ambition to unify programs through spatial continuity.

Architecture as Connector of Systems, Publics, and Urban Futures

This project reframes the museum as a civic catalyst: one that bridges transportation, research, and public engagement. In doing so, it suggests a new model for institutional architecture in the 21st century: not as static monument, but as dynamic connector. The building operates at multiple scales as a museum, a public path, a transit node, and a cultural observatory. It offers a vision for urban life where infrastructure is inclusive, mobility is democratic, and architecture enables new patterns of encounter and exchange. In a time when cities demand more adaptable, human-centric systems, this project proposes architecture as both vessel and agent of transformation.